Mary Espinosa
Reconstructed Realities
Studio F
Assemblage

Phil Hood
A Brush with Acrylic - Studio C
Acrylics

Curtis Heilig, PH D
Native American Expressions
Studio D
Acrylic/Watercolor/Mixed Media

Jana Landon
Endless Possibilities - Studio E
Photography/Jewelry

Kristen Wells
- Studio B
Acrylics/Oils/Mixed Media

Mike Taylor
- Studio J
Acrylics/Oils/Pen & Ink
Photography/Mixed Media

Deborah Wallen
- Studio B
Pastels

Teri Kay Willett
- Studio
Watercolor

 

Timothy A. Bischoff
Bischoff Fine Art Photography
Green Dog Studio B
Photography - (Traditional Film & Digital)


View this artist's portfiolo  •   Contact Tim Bischoff via e-mail

(P) 913.558.2958   •   View Artist's Website

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Bischoff Fine Art Photography features the photographic work of Timothy A. Bischoff. Based in the Kansas City metro area, Bischoff works primarily in Black & White photography but also Color in both traditional film and digital.

Bischoff's subject matters have ranged from landscapes, both nature and urban, to contemporary still life and figure studies. Along with work in the sports and music entertainment markets. His photography has been published in many forms, from books to print advertising along with corporate and private fine art collections.

Bischoff uses many different camera formats for his work, Ranging from 35mm and 120 medium format to 4x5 large format and a unique 6x17cm panoramic camera. His diverse background in both traditional chemical darkrooms and digital software technics can be seen in every aspect of his prints.

Artist's Statement:

A photograph can be considered a "slice of life". It's one moment selected from the continuum, saved for closer inspection. The choice of when to hit the "save button" becomes a photographer's "point of view".

As I present my point of view, I'm most interested in revealing the transient qualities of beauty and irony found in everyday life and or everyday objects. My intent is to create images that reveal their meaning in stages, rewarding repeated viewing. If some images raise more questions than answers, then they have truly become a representation of life itself.

In all my photographic work, I find the interplay of space, light and texture particularly important. Light makes materials come to life, and space without light is of no interest from the photographic point of view. Texture and surface characteristics - the essence of materials - form an ethereal link with reality in my pictures. It is this, which puts them on the borderline between documentation and pure emotion.

 


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